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Warren Miller is back with the 72nd annual film “Winter Starts Now,” featuring the best snowriding from the mom and pop ski hill down the street to the highest peak on the horizon.

“Tommy Wiseau’s The Room may be the first true successor to the Rocky Horror throne.  Wiseau's Johnny is the noblest of boyfriends and most capable of lovers. But none of that satisfies his fiancée Lisa, a wicked Jezebel whose boredom with Johnny manifests in a brazen affair with his best friend.

JULIA tells the story of the legendary cookbook author and television superstar who changed the way Americans think about food, television, and even about women.

Willy's quest to find his long-lost love Marlena has brought him from Mexico to Canada, as a seasonal worker at the Becotte farm. Multiple destinies intersect, moments of magic realism arise, worlds collide, and tensions swell amidst the long days of labor.

In a violent, near-apocalyptic Detroit, evil corporation Omni Consumer Products wins a contract from the city government to privatize the police force. To test their crime-eradicating cyborgs, the company leads street cop Alex Murphy (Peter Weller) into an armed confrontation with crime lord Boddicker (Kurtwood Smith) so they can use his body to support their untested RoboCop prototype.

Délicieux is the story of France’s first-ever restaurant.

The prestige of a noble house depends above all on the quality of its table. At the dawn of the French Revolution, gastronomy still is a prerogative of the aristocrats.

Disguised as a human, a cyborg assassin known as a Terminator (Arnold Schwarzenegger) travels from 2029 to 1984 to kill Sarah Connor (Linda Hamilton). Sent to protect Sarah is Kyle Reese (Michael Biehn), who divulges the coming of Skynet, an artificial intelligence system that will spark a nuclear holocaust.

Young Anthony Soprano is growing up in one of the most tumultuous eras in Newark's history, becoming a man just as rival gangsters begin to rise up and challenge the all-powerful DiMeo crime family's hold over the increasingly race-torn city.

In "Free Guy," a bank teller who discovers he is actually a background player in an open-world video game, decides to become the hero of his own story... one he rewrites himself. Now in a world where there are no limits, he is determined to be the guy who saves his world his way... before it is too late.

Adapted from the celebrated 1929 novel of the same name by Nella Larsen, PASSING tells the story of two Black women, Irene Redfield (Tessa Thompson) and Clare Kendry (Academy Award nominee Ruth Negga), who can “pass” as white but choose to live on opposite sides of the color line during the height of the Harlem Renaissance in late 1920s New York.