Farzaneh spots her husband, Jalal, entering an unknown woman's house. When she confronts Jalal, he claims he wasn't in town. Jalal decides to check out the house for himself and meets a woman named Bita, who is the spitting image of Farzaneh.
"The film speaks to an almost otherworldly sensation of having to accept and live with something out of the ordinary—something that Iranians are more familiar with than most." - The Chicago Reader
"Tehran noir at its most exquisite; rust reds and ochres, sand and shadow, near constant rain. Cinematographer Morteza Najafi's moody hues provide the perfect backdrop for incredible performances..." - The Stranger
