Horror

The Frankenstein Theory does an excellent job at avoiding those downfalls that other found footage films are rife with. Andrew Weiner manages to create a smartly written movie that isn’t necessarily scary but it’s entertaining and fun to play along with.

The high-octane, B-movie splatterfest that is Kitamura’s No One Lives is built around a high concept, and while not really a twist-based film, you may wish to see it cold for maximum pleasure. What you need to know is that it is an incredibly tight 86 minutes of amoral violence, gore and nihilism that hits the exploitation sweet spot so many aim for and miss.

The rape and revenge subgenre has always been controversial, however when done well, it works to open up discussion of rape culture, and to reverse the gaze from survivor to rapist. American Mary offers a daring new take on rape and revenge and body horror cinema that does not limit its scope to sex and murder.

The Last WIll and Testament of Rosalind Leigh

The feature film debut of Rue Morgue Magazine's head honcho Rodrigo Gudino, this movie delivers a successful, well controlled story that is part haunted house and part religious thriller, not to mention a creepy family drama.

Set in the strange and oppressive emotional landscape of the year 1983, Beyond The Black Rainbow is a Reagan-era fever dream inspired by hazy childhood memories of midnight movies and Saturday morning cartoons.

Horror

The Frankenstein Theory

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No One Lives

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American Mary

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The Last WIll and Testament of Rosalind Leigh

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Beyond the Black Rainbow

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