Friday April 4 to Thursday April 10, 2014

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FILMS SHOWING Friday April 4 to Thursday April 10
14A

Wes Anderson's FOUR-time OSCAR winner! - A writer encounters the owner of an aging high-class hotel, who tells him of his early years serving as a lobby boy in the hotel's glorious years under an exceptional concierge.

Wes Anderson heads to Europe for the first time with this Indian Paintbrush production starring Saoirse Ronan, Ralph Fiennes, Bill Murray, and Jude Law.

No screenings currently scheduled.

TBA

Director Roger Michell's Le Weekend stars Jim Broadbent and Lindsay Duncan as Nick and Meg, a British couple celebrating their 30th wedding anniversary with a weekend getaway in Paris. As they travel around the city, they revisit the highs and lows of their relationship, fight about their faults, and continue to run out of restaurants without paying the bill.

No screenings currently scheduled.

G

“A wistful, elegant love story played out across the streets of Mumbai, The Lunchbox is an unexpectedly aromatic charmer from first-time film-maker Ritesh Batra. Eschewing the pitfalls of what appears, to be a highly schematic set-up, Batra infuses his film with warmth and humanity, delivering delicate visuals of modern Mumbai.

No screenings currently scheduled.

G

“What is Visitors? Godfrey Reggio's latest work, arriving 11 years after the conclusion of his Qatsi trilogy (which stretched from 1982's Koyaanisqatsi to 2002's Naqoyqatsi), resembles those uncategorizable films more than anything else. But it pushes even harder than they did against labels like "documentary," or even "avant garde."

No screenings currently scheduled.

14A

“Lone Survivor” is gripping, unrelenting, brutally proficient moviemaking, a just-the-facts war movie. Director Peter Berg concentrates on the unsparingly detailed basics. Efficiently, it establishes the film’s four protagonists as men of admirable courage.

No screenings currently scheduled.

14A

“A strikingly original historical thriller spiced with occult mysticism and mind-warping hallucinations, British director Ben Wheatley’s fourth feature has all the midnight-movie intensity of a future cult classic. A Field in England is his most boldly experimental work yet, a black-and-white psychedelic bloodbath set during the English Civil War of the mid-17th century.

No screenings currently scheduled.

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